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Tag Archives: polymer clay

amy gross reimagines the landscape

Immerse yourself in the world according to Amy Gross for a moment, where paper, polymer clay and seed beads are transformed to mimic objects from nature that the artist paints, embroiders and stitches into being.  The New York native, now living in Florida, trained as a painter and holds a BFA in Fine Art and Design from Cooper Union.



paper, embroidery thread, yarn, beads, wire, fabric, hand-sewn to wooden sphere, 4″ x 3.5″ x 3.5″


Warbler’s Biotope
embroidery thread, ribbon, yarn, seed beads, digitally printed fabric, polymer clay, paper, trapunto, applique, sewn to sphere, 5.5″ x 6″


paper, embroidery thread, beads, wire, fabric, hand-sewn to wooden sphere, 4″ x 4″ x 4″

I make environments where everything represented is made out of something else – imitative materials: fabric, paper, applique, embroidery thread, paint, beads, oil pastel, and wax. I re-imagine the landscape and objects from nature, altered through my life and experiences of the human body. I mix anxieties and secrets, physical symptoms and the love and fear of being mortal with fabricated roots and leaves and pods and insects and blooms. I mimic the quickly changing natural world through man-made materials with a longer shelf life, an attempt, though illusory, to slow change, to consider and to hold on to life longer. Amy Gross


paper, embroidery thread, yarn, beads, wire, pom poms, fabric, hand-sewn to wooden sphere, 4″ x 3.25″ x 4″


embroidery thread, ribbon, yarn, seed beads, digitally printed fabric, polymer clay, paper, trapunto, applique, sewn to sphere, 9″ x 9″

Amy Gross at itty bitty artshow

Amy Gross website

Amy Gross on Flickr

Read an interview with the artist here

Close up images of her work here

katherine wheeler enjoys the journey

Katherine Wheeler considers metal to be her main material, but she often integrates porcelain, paper, linen thread and polymer clay into her jewelry and hollow ware. The Melbourne artist, who maintains a strong focus on enjoying the process of making, has a gold and silversmithing degree from RMIT University in Australia.



Untitled Neckpiece
porcelain, silver, linen and polyester thread, paint, glass beads, pva


Anemone Cup Ring, fine silver, polymer clay, cubic zirconia, paint


Stilt Cup, silver, linen thread, pva, paint


Urchin Ring, fine silver, buckram, paper, paint

My method of designing and making jewellery is spontaneous. I like my work to retain the energy of a quick sketch, which can often be lost during the process of making. The use of fine silver shim allows me to make impulsively. My method allows me to fabricate objects that have a paper-like fragile quality unexpected of metal.

Katherine Wheeler

Read this interview about Wheeler on the Melbourne Jeweller.

high5 polymer clay: news about synergy2 and the polymer clay collection

This post marks the last installment of this month’s High5 Polymer Clay series. I hope you enjoyed it. I am taking the rest of of the week off to regain my strength and stamina now that the virus has finally loosened its grip on me. The archives are open 24 hours a day, 7 days a week, so feel free to browse while I take a break. See you next week?

In this High5 Polymer Clay series we took a look at jewelry, sculpture, dolls, objects artists and books that resonated with me in recent days – new work from established artists and work from emerging artists. This morning I shared a suggestion for how you can continue your exploration of the medium and this afternoon I want to tell you about two more important events coming up.

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Synergy2 Conference


Ford and Forlano, flower brooch

In 2008 the National Polymer Clay Guild made history with the first Synergy conference, which brought together leading artists in the field and individuals aspiring to bring the medium to a higher level to talk, share, explore ideas and plan for the future of the medium.  A resounding success, the conference sparked lively debate that carried farther than the polymer clay community and continues to help us move the medium forward.  In February 2010, the newly renamed guild, now known as the International Polymer Clay Association, will do it again with Synergy2 in Baltimore, Maryland.


Synergy2 will feature presentations that explore the theme ‘Expanding Connections’ and the highlight is expected to be a celebration honoring the 22-year collaboration of renowned studio jewelers Steven Ford and David Forlano along with a special presentation by the artists.


Ford and Forlano, necklace

Ford/Forlano, two of the top studio jewelry artists working today, “have developed a body of work that has changed the way we look at studio art jewelry.” At Synergy2 they will take us into their working process and discuss how collaboration has shaped their work over their career. A question and answer session will give attendees a rare opportunity to get to know the acclaimed artists.


New!  Pre and Post Conference Hands-On Workshops

In addition to more than 45 presentations, the Synergy2 team recently added pre and post conference hands-on workshops from some of your favorite artists working with the medium today.  The workshops are conveniently located in the same venue as the conference. I am looking forward to the Synergy2 conference in February – will I see you there?

Polymer Clay Collection Project


Racine Art Museum, Racine Wisconsin

In other news, Elise Winters and her team at Polymer Art Archive have recently announced that the Racine Art Museum in Racine, Wisconsin will establish a permanent collection of polymer jewelry, beads and sculptural objects.  In addition to assembling a world-class collection of polymer art, the museum will establish a library “to protect slide, print and catalogs for academic research”, a hardcover catalog of the collection and an exhibit.  Elise Winters, the force behind the Polymer Clay Collection project and Bruce W. Pepich, executive director and curator of collections at the museum, will also speak about the collection at Synergy2.


Dan Cormier’s Fiji Mermaid (2000) is one of three Cormier ‘Tin Toy’ vessels heading to a permanent home at the Racine Art Museum

[click on the image to read more]

Winters is also the driving force behind a fundraising effort to secure money for the project. She will be announcing donor levels, naming opportunities and fundraising goals as soon as the details are complete. You can donate by following the link at the end of this post.

From the PAA website:

“For those of you who have shared my dream over these many years, that polymer art be given an honored space in museum collections throughout the country, I now ask for more than good will. You can help turn our collective dream into reality today, by making a donation to the Racine Art Museum.” Elise Winters



2010 Synergy2 website and registration

A Collaboration Celebration – Ford and Forlano Synergy 2010

Hands on pre and post conference polymer clay workshops at Synergy2

Read about the 2008 Synergy conference here

Ford and Forlano’s website

Polymer Art Archive post about how you can support the collection

Polymer Art Archive posts about the Polymer Clay Collection here and here

Read the rest of the High5 Polymer Clay Series here

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