It’s been several years since I posted about Tzuri Gueta’s jewelry – a recent visit to his website shows he’s been quite busy creating jewelry, textiles and furniture.
Using a technique he developed and patented, Gueta and his team inject silk with silicone to create a unique type of textile he calls Silicone Lace. No machines, no molds, all handmade.
Gueta, who likes silicone for its strength and flexibility, has created an impressive collection – do check all of his catalogues for a bevy of unusual shapes and sizes. The colors POP. The shapes bring to mind sea life and pods. The flexibility of the material is sexy. Love.
Get a closer look at Gueta’s work and process in the two videos below:
Textile artist Chung-Im Kim silk screens patterns onto industrial felt pieces, hand stitching the felt to create dimensional wall sculptures that seem to sway – an illusion made more convincing by the combination of surface pattern and clever stitching.
In an effort to understand the material and its capabilities, the artist surrenders herself to playing with the felt “to understand it’s character, it’s physicality, and shape-forming ability.” Born and raised in Korea, Kim has lived in Canada since 1990. She is currently associate professor in the Fibre Department at OCAD University.
“For me, patterns are hard to ignore as I encounter everyday life. Whether the source comes from nature, historical context or plainly created by me, working with patterns always gives me the thrill of entering a new world. A pattern can grow into a complex image jungle or a well disciplined ornamental beauty”. ~Chung-Im Kim
Yvette Kaiser Smith creates fiberglass cloth by crocheting fiberglass roving that she pulls from an industrial roll. The cloth is crocheted into flat geometric shapes and hardened by applying polyester resin. Kaiser Smith uses mathematics in all of her work and identifies the work as a ‘visual articulation of mathematics.’
Etude from pi . . . 51413 crocheted fiberglass with polyester resin
A direct articulation of 5 digits from within the number pi. Panels appear the same but vary in spatial depth. Value 1 is flattest to the wall and value 5 pushes away from the wall the farthest. In side view, panels appear in a nesting pattern.
Charting e 98 crocheted fiberglass with polyester resin
Charting e 98 utilizes a traditional crochet format based on patterns created on a grid, where squares are either filled or left open. Using this charting system, Charting e 98articulates the first 98 digits of the infinite number e.
Pi Strands crocheted fiberglass with polyester resin
Pi Strands is a direct articulation of the first 52 digits of the number pi. Each tube is 5” in diameter and 7” deep. Each number value was assigned its own color. Colors were inspired by bacteria. The individual units within each vertical strand are connected to create a solid unit. There are 7 vertical strands.
From e . . .71456, Panel 6 crocheted fiberglass with polyester resin
Pi in Pascal’s Triangle Round 3 crocheted fiberglass with polyester resin
The form of each triangle is based on the first four rows of Pascal’s Triangle. The five colors used are distributed using the first 30 digits of pi.
Yvette Kaiser Smith with some of her work
“To create a new work, I create a system. I chose a number sequence from the numbers pi or e, or a section from Pascal’s Triangle; define a specific method for articulating the digits; define colors and a sequence for the colors; and follow the plan to create the work.”